What some storytellers try to achieve is a "cinematic look" that we as moviegoers have been conditioned over the years to understand is the "look". There are features, qualities, and specs that separate one camera from another, but any image capture device can be used to tell a visual story.
Analog film, Digital 35mm, Digital Full-Frame?) The "Cinematic Look" Films like Ben-Hur, Lawrence of Arabia, Cleopatra, Citizen Kane, Casablanca, every Alfred Hitchcock film, every Stanley Kubrick film, The Godfather, Star Wars: Episode IV - A New Hope. all were photographed with cameras that could not record 4K DCI natively.ĭoes that mean the cameras those directors and cinematographers used are not cinema cameras? Are analog film cameras no longer considered cinema cameras? Has the digital age brought on new ways to categorize cameras? (e.g. The Golden Age of Hollywood began around 1913. The history of film dates back to the 1800s. The reason why we bring the history of 4K up is because the format is not very old. It was the first-ever 4K digital camera with a sensor resolution of 4096 x 2048. While there are variations in resolution, the group behind DCI notes that standard 4K formats are 4K DCI 4096 x 2160 and 4K UHD 3840 x 2160. The 4K format saw its first public appearance in 2003 by Teledyne Dalsa, who created the Dalsa Origin. It's a joint venture between the major motion picture studios to create uniformity under the 4K format on both a technical and quality control level. In March 2002, the Digital Cinema Initiative (DCI) was created. What makes a camera a cinema camera? The comment is interesting for a variety of reasons, the main reason being that a "cinema camera" needs to shoot 4K DCI in order for it to be called a "cinema camera." It made me wonder how many people similarly think this way -that resolution defines a camera -that a single spec can determine what cinematic is. This particular No Film School reader inadvertently brought up an important topic worth discussing. Reading comments, the good, the bad, all of it, is not only a way for us to learn what you are interested in reading but it also informs us about topics to consider exploring further. But since it's called a Cinema Camera, it should shoot in DCI 4K. No Film School recently wrote about a camera and one of our readers commented the following: "If it was called a video camera, I'd understand why it shoots UHD only. cube LUTs from the desktop app version at this time.What makes a camera a cinema camera? Some of today's biggest names in cinematography share their thoughts. Join the discussion. cube LUT from any non-trial plugin version of FilmConvert. You can export a 3D LUT to share your grade with others working on your film.You can load 3D LUTs into most color-grading software, which can be useful in workflows where plugin support is limited.View on your monitor the look you will apply during post-production. You can use 3D LUTs on your monitor for on-set visualization.Here are some ways this can help improve your workflow. LUTs are a great way to export your grade for use on devices or any compatible software. Create and export 3D LUTs using FilmConvert
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